Not the ME Super, but perhaps the ME Better!
I think I struck lucky with this one. Found, by chance, when searching for a Pentax-M 50mm lens, the description of this item detailed the lens only and was priced at about the same as the lens alone would go for. But all the pics showed the camera too, so I asked the seller to confirm what was included in the sale. The answer: everything! I snapped it up even though I wasn’t sure I’d need the lens (see previous post) because the camera looked so clean. No knowing whether or not it would work, though, so it was another cheap punt.
This is the camera that led to the later, and much more popular, ME Super. The latter has many refinements but, as I have discovered, also involved some cost and weight reduction by replacing some of the metals with plastics. One of the reasons I prefer the look of the plain ME is the metal top cover with the ASAHI stamp; the Super has a top cover which is mostly plastic but plated with a metallic outer and, as such, has a slightly different appearance. There are no buttons near the shutter dial on the ME because it’s not possible to set manual shutter speeds on this model; it’s aperture priority only apart from a purely mechanical speed of 1/100s (x-synch for flash) and B. The shutter dial itself is more robust on the ME, compared with the all-plastic affair of the Super, and I prefer it even though it results in a more fiddly process to remove the top cover. Most of the remaining differences between the ME and the Super are inside.
So, upon arrival, the lens seemed fine apart from the fact that it was very dusty inside. No fungus (unlike the one that had arrived just prior to this) and mechanics were fine. This was a simple, half-hour job to dis-assemble, separate the main groups either side of the aperture blades and blow out the vast majority of the dust that had settled onto the two surfaces there.
I noticed immediately that the camera’s wind-on lever was loose when near the end of its travel and it didn’t click closed. The shutter, though, seemed fine as did the electronics and meter display. I knew what this meant: the “click spring” had broken off inside. The purpose of this spring is to secure the wind-on lever close to the camera body to, firstly, switch off the meter and, secondly, prevent accidental partial wind-on. Easily overlooked but should not be; the broken-off bit of metal can travel down into the workings or even shutter and seriously jam or permanently break something. I decided to resist the temptation to check shutter speeds any further and see if I could fish out the broken spring. Luckily, after removing the camera base plate, a few short shakes resulted in the piece in this picture falling out.
Safe now to carry on testing, I figured all seemed well apart from the usual need to replace the mirror buffer and light traps.
I ended up harvesting a click spring from a parts-only ME Super (the springs are identical) and installed it into the ME. The Super has a refinement, though, where a second, coiled spring is used to strengthen the main click spring and presumably make it less likely to break off. The coiled spring is held around a post and is sprung against a second post, neither of which are present in the ME. I discovered that both posts are direct replacements for plain screws in the ME and so I gave the ME the Super’s full click spring refinement job! Perfect.
With the top cover still off, all that was left was to remove and replace some crumbling old foam which was meant to cover the open area where the meter LEDs go, leading straight into the area between prism and top surface of the screen. This was a very fiddly job and resulted in more cruddy bits than I wanted to see when looking through the viewfinder, so when all was sealed again I removed the prism and cleaned the underside, the viewfinder side, the back of the viewfinder lens and the top surface of the screen. The prism itself is held in by two tiny screws – one on each side – and removal requires the electronic boards to be carefully lifted away from the top surfaces first of all. After loosening the two prism screws the entire prism will then lift out. It’s the same situation in the ME Super and it’s the only way to remove debris that has found its way into the space between prism and screen, since screens are not user-removable in these cameras. The eventual replacement for the ME Super – the Super A (Super Program in the U.S.A.) – does have user-changeable screens which, if nothing else, makes cleaning much easier.
I have renewed the mirror buffer now and will soon replace the light traps in and around the rear door so that I can run some film through. I love the mirror/shutter sound and feel of this camera; there’s something very reassuringly 1970s about it and that’s only meant in a good way. It’s ever so slightly less dampened in movement compared with the Super but it’s certainly no Spotmatic in terms of noise or vibration. And that’s not to say that the Spotmatics are bad, either – far from it.
Something worth mentioning is that I get the distinct impression that the ME suffers much less from the very common shutter and wind-on issues that many Supers will suffer from now, if not serviced. Perhaps because it’s slightly less refined internally, with fewer plastic parts. My Super had the wind-on issue (film winds but shutter won’t charge), which I appear to have fixed without the need for a full service, and my (much more shabby) parts body has the same issue which can’t be fixed in the same, relatively simple, way.
So, is the ME better than the ME Super? Purely in terms of functionality, not really, and yet I prefer it. If you’re on the lookout for a fully working ME Super and don’t care much about manual shutter speeds, give the ME a go.